Character Entrance 2: Action

It is safe to say that stories are about actions. Often in telling a story, it might be inevitable to explore the motivations and consequences of your characters’ actions. While this exploration might be essential, they only create contexts for your readers to perceive your character’s actions.

Since stories anchor largely on character actions, one interesting way to introduce a character is to show the character engaged in some Actions. The Actions don’t necessarily have to be something pivotal to the general story idea. It only needs to show one or more aspects of the character’s personality.


The man kept grunting, powerful left arm gripping the slender waist of the naked lady perched atop him on the sofa. He bounced her hips gently on his crotch, cupping her mouth like an overpowered victim. The cushions of the sofa rose and fell rhythmically to their weight. Gradually, the white habit he peeled off her skin slid from the sofa to join his black shirt on the floor. A Roman collar stuck out of his shirt’s neckline with a screaming whiteness.

While introducing a character through Description creates a mental picture, introduction through Actions creates a mental video in your reader’s mind.


Just like introduction through Description, choosing to introduce a character into your story through Actions should depend on what you want to accomplish. Your motive should also determine how much Action you reveal or withhold.

Book Example: (TAINTED by Xyvah M. Okoye)

A branch snapped, and Regan sailed on a wind current as his sister cheered below him, dancing to an inaudible tune. He smiled, dark hair swaying as he floated upside down, then did a quick somersault and landed gracefully on the grass, arms akimbo.

How do you perceive Xyvah’s Regan, and how do the actions in the above paragraph determine that? We would love to hear your views in the comments. See you next Monday for the creative writing key on Character Entrance 3.

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