Get feedback!

It is commonplace for new writers to be protective of their work. And there’s nothing wrong with that… except that it robs a writer of opportunities to improve their craft and story.

Feedback from peers and mentors is invaluable, especially in the early stages of your writing career.

When you open your work up to others you trust and admire, others with knowledge and experience in the craft, you put their expertise to work for you. Now, that’s priceless!

Some simple ways to get feedback include:

a. finding a mentor

b. finding a critique partner (or partners)

c. joining a writing group

d. sharing free content on your blog or social media (though I would only recommend this to those with a thick hide).

The honest truth is, getting feedback can be brutal sometimes… but the key is to pick out the useful, constructive advice, and run with it. In the end, it’s all about your success.

Character Entrance 5: Setting

This method of character intro is not so much about the character as it is about the setting. However, by dwelling on the setting, you shade the sketch of the character in the reader’s mind. The fascinating result you will accomplish through this intentional shading is that your character shines with a sense of familiarity later when he takes over as the subject of your story.


In a nutshell, this method does not explore the character’s physical description or thoughts or much of his actions. Yet, by focussing on the setting (place and time), your reader could reasonably guess the character’s appearance and personality. The exciting thing about this method is that it’s satisfying when readers discover they were right about who they thought your character was or would become.


The fantastic beauty of this character intro method lies in its ability to multitask between setting description and character intro. This is an excellent example of killing two birds with one stone.


What do you think about this writing key? Please tell us in the comments. Remember to keep a date with us next Monday for more keys to improve your storytelling skill.

Character Entrance

It is often the case for storytellers to drop a character into the story without considering the significance of such an introduction. As long as the story moves ahead, they believe the character works. 

But the experience is not always the same for the reader. Much like real-life, first impressions matter about story characters. How the reader perceives your characters depends on your intentional choices on what to reveal or withhold about them at the point of their entry into the story. 

Beginning from this key, we will explore 5 ways you can employ to effectively introduce a character. 

Character Entrance 1: Description

A straightforward Description is the most logical way to introduce a character. It is logical because your reader does not know the new guy you call John. And since books are not videos, you may need to tell/show your reader at the point of John’s entrance that, unlike most humans, John has 8 limbs. Description goes beyond the name to show the reader a bit of your characters’ appearance or what it seems like. In our example of John, you may not say it, but your reader already knows that John is likely not human despite having a human name.

HOWEVER! HOWEVER!!

The amount of Description you do at a character’s point of entry into the story should depend on what you hope to achieve. For example, if your interest is to inspire curiosity about John, you can end the Description at the point you mentioned 8 limbs. The incomplete information will leave your reader wondering what kind of animal John must be. 

If you’re particularly a mischievous writer, you can tell your reader when next they meet John in the story that he is an accident patient who, for some weird reason, uses two pairs of crutches. And John is human again.

Book Example

You will find a good application of Character Entrance by Description in Dan Brown’s introduction of Rachel Sexton in his novel, Deception Point

The woman was attractive, in her mid-thirties, wearing gray, pleated flannel pants, conservative flats, and an ivory Laura Ashley blouse. Her posture was straight—chin raised ever so slightly—not arrogant, just strong. The woman’s hair was light brown and fashioned in Washington’s most popular style—the “anchorwoman”—a lush feathering, curled under at the shoulders… long enough to be sexy, but short enough to remind you she was probably smarter than you.

Note that while Description may be a logical way to introduce a character, it does not necessarily make it the best. The best way to introduce a character depends on how you want to present the character to your reader. Keep a date with us next Monday for the creative writing key on Character Entrance 2.

Plan And Plan Again

Don’t just be a writer who only practices writing. Pick a project and work on it. A writing project, like a book, is good but shouldn’t end whenever it ends. Projects have time frame. Give yourself time when you should be done.

Read More

Get The Ink Bleeding

As simple as this writing key reads, it is where most aspiring writers like you face a great challenge.  You stare at the blank paper or screen before you and ask, what exactly do I write first?

Read More

Study The Craft

There is a basic structure for every genre of creative writing. It is upon this basic structure that the writer’s individual uniqueness comes in as worthy appendages. Without a basic structure or frame, unique appendages are unworthy by default.

Read More

On Beginning…

In this key, our aim is to help you find what kind of writing will best express whatever it is you want to write, especially as it relates to your why for writing.

Read More

Where Should You Write?

Imagine a comfortable chair, a table of exactly the right height, a computer and a mug of hot coffee or a bottle of booze. Then imagine you cannot afford any of them.

Read More

When Should You Write?

Your natural proclivity is to desire comfort. You don’t want to do anything until the stars have aligned and the booming voice of the universe says, “It’s time to write, my dear child.” But the question is, when was the last time you heard that voice? Have you even ever?

Read More

The viewpoint character

Every story has an aim or reason driving its telling. The purpose of a story informs the perspective from which it is told. Point of view simply asks, from whose eyes shall your readers witness the events that make up your story?

Read More